Father to Son by Elizabeth Jennings - Line by Line Explanation and Summary in Hindi

Father to Son : 



I do not understand this child

Though we have lived together now

In the same house for years. I know

Nothing of him, so try to build

Up a relationship from how

He was when small. Yet have I killed 

The seed I spent or sown it where

The land is his and none of mine? 

We speak like strangers, there's no sign

Of understanding in the air. 

This child is built to my design

Yet what he loves I cannot share. 

Silence surrounds us. I would have

Him prodigal, returning to

His father's house, the home he knew, 

Rather than see him make and move

His world. I would forgive him too, 

Shaping from sorrow a new love. 

Father and son, we both must live

On the same globe and the same land. 

He speaks: I cannot understand

Myself, why anger grows from grief. 

We each put out an empty hand, 

Longing for something to forgive. 

Do not go gentle into that good night SUmmary of the poem and Line by Line Explanation in Hindi

Do not go gentle into that good night

Dylan Thomas, 1914 - 1953

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Mother to Son BY LANGSTON HUGHES Poem- Line by Line Meaning and Explanation in Hindi

Mother to Son

BY LANGSTON HUGHES

Well, son, I’ll tell you:

Life for me ain’t been no crystal stair.

It’s had tacks in it,

And splinters,

And boards torn up,

And places with no carpet on the floor—

Bare.

But all the time

I’se been a-climbin’ on,

And reachin’ landin’s,

And turnin’ corners,

And sometimes goin’ in the dark

Where there ain’t been no light.

So boy, don’t you turn back.

Don’t you set down on the steps

’Cause you finds it’s kinder hard.

Don’t you fall now—

For I’se still goin’, honey,

I’se still climbin’,

And life for me ain’t been no crystal stair.

The Highwayman BY ALFRED NOYES - Poem Line by Line Explanation and Summary in Hindi

The Highwayman

BY ALFRED NOYES

PART ONE

The wind was a torrent of darkness among the gusty trees.   

The moon was a ghostly galleon tossed upon cloudy seas.   

The road was a ribbon of moonlight over the purple moor,   

And the highwayman came riding—

         Riding—riding—

The highwayman came riding, up to the old inn-door.

He’d a French cocked-hat on his forehead, a bunch of lace at his chin,   

A coat of the claret velvet, and breeches of brown doe-skin.

They fitted with never a wrinkle. His boots were up to the thigh.   

And he rode with a jewelled twinkle,

         His pistol butts a-twinkle,

His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard.

He tapped with his whip on the shutters, but all was locked and barred.   

He whistled a tune to the window, and who should be waiting there   

But the landlord’s black-eyed daughter,

         Bess, the landlord’s daughter,

Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked

Where Tim the ostler listened. His face was white and peaked.   

His eyes were hollows of madness, his hair like mouldy hay,   

But he loved the landlord’s daughter,

         The landlord’s red-lipped daughter.

Dumb as a dog he listened, and he heard the robber say—

“One kiss, my bonny sweetheart, I’m after a prize to-night,

But I shall be back with the yellow gold before the morning light;

Yet, if they press me sharply, and harry me through the day,   

Then look for me by moonlight,

         Watch for me by moonlight,

I’ll come to thee by moonlight, though hell should bar the way.”

He rose upright in the stirrups. He scarce could reach her hand,

But she loosened her hair in the casement. His face burnt like a brand

As the black cascade of perfume came tumbling over his breast;   

And he kissed its waves in the moonlight,

         (O, sweet black waves in the moonlight!)

Then he tugged at his rein in the moonlight, and galloped away to the west.

PART TWO

He did not come in the dawning. He did not come at noon;   

And out of the tawny sunset, before the rise of the moon,   

When the road was a gypsy’s ribbon, looping the purple moor,   

A red-coat troop came marching—

         Marching—marching—

King George’s men came marching, up to the old inn-door.

They said no word to the landlord. They drank his ale instead.   

But they gagged his daughter, and bound her, to the foot of her narrow bed.

Two of them knelt at her casement, with muskets at their side!   

There was death at every window;

         And hell at one dark window;

For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest.

They had bound a musket beside her, with the muzzle beneath her breast!

“Now, keep good watch!” and they kissed her. She heard the doomed man say—

Look for me by moonlight;

         Watch for me by moonlight;

I’ll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!

She writhed her hands till her fingers were wet with sweat or blood!   

They stretched and strained in the darkness, and the hours crawled by like years

Till, now, on the stroke of midnight,

         Cold, on the stroke of midnight,

The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it. She strove no more for the rest.   

Up, she stood up to attention, with the muzzle beneath her breast.   

She would not risk their hearing; she would not strive again;   

For the road lay bare in the moonlight;

         Blank and bare in the moonlight;

And the blood of her veins, in the moonlight, throbbed to her love’s refrain.

Tlot-tlot; tlot-tlot! Had they heard it? The horsehoofs ringing clear;   

Tlot-tlot; tlot-tlot, in the distance? Were they deaf that they did not hear?

Down the ribbon of moonlight, over the brow of the hill,

The highwayman came riding—

         Riding—riding—

The red coats looked to their priming! She stood up, straight and still.

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!   

Nearer he came and nearer. Her face was like a light.

Her eyes grew wide for a moment; she drew one last deep breath,   

Then her finger moved in the moonlight,

         Her musket shattered the moonlight,

Shattered her breast in the moonlight and warned him—with her death.

He turned. He spurred to the west; he did not know who stood   

Bowed, with her head o’er the musket, drenched with her own blood!   

Not till the dawn he heard it, and his face grew grey to hear   

How Bess, the landlord’s daughter,

         The landlord’s black-eyed daughter,

Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky,

With the white road smoking behind him and his rapier brandished high.

Blood red were his spurs in the golden noon; wine-red was his velvet coat;

When they shot him down on the highway,

         Down like a dog on the highway,

And he lay in his blood on the highway, with a bunch of lace at his throat.

.       .       .

And still of a winter’s night, they say, when the wind is in the trees,

When the moon is a ghostly galleon tossed upon cloudy seas,   

When the road is a ribbon of moonlight over the purple moor,   

A highwayman comes riding—

         Riding—riding—

A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard.

He taps with his whip on the shutters, but all is locked and barred.   

He whistles a tune to the window, and who should be waiting there   

But the landlord’s black-eyed daughter,

         Bess, the landlord’s daughter,

Plaiting a dark red love-knot into her long black hair.

O Captain! My Captain! BY WALT WHITMAN- Poem Line by Line Explanation and Summary in Hindi

O Captain! My Captain!

BY WALT WHITMAN

O Captain! my Captain! our fearful trip is done,

The ship has weather’d every rack, the prize we sought is won,

The port is near, the bells I hear, the people all exulting,

While follow eyes the steady keel, the vessel grim and daring;

                         But O heart! heart! heart!

                            O the bleeding drops of red,

                               Where on the deck my Captain lies,

                                  Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;

Rise up—for you the flag is flung—for you the bugle trills,

For you bouquets and ribbon’d wreaths—for you the shores a-crowding,

For you they call, the swaying mass, their eager faces turning;

                         Here Captain! dear father!

                            This arm beneath your head!

                               It is some dream that on the deck,

                                 You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still,

My father does not feel my arm, he has no pulse nor will,

The ship is anchor’d safe and sound, its voyage closed and done,

From fearful trip the victor ship comes in with object won;

                         Exult O shores, and ring O bells!

                            But I with mournful tread,

                               Walk the deck my Captain lies,

                                  Fallen cold and dead.

Where the mind is without fear by Rabindranath Tagore- Poem Line by Line Eplanation ansd Summary in Hindi

Where the mind is without fear by Rabindranath Tagore

Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake.

Where the mind is without fear by Rabindranath Tagore- Poem Line by Line Eplanation ansd Summary in Hindi

Where the mind is without fear by Rabindranath Tagore

Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake.

Where the mind is without fear by Rabindranath Tagore- Poem Line by Line Eplanation ansd Summary in Hindi

Where the mind is without fear by Rabindranath Tagore

Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake.

Where the mind is without fear by Rabindranath Tagore- Poem Line by Line Eplanation ansd Summary in Hindi

Where the mind is without fear by Rabindranath Tagore

Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake.

Love After Love - Poem by Derek Walcott - Line by Line Explanation and Summary of Poem in Hindi

Love After Love - Poem by Derek Walcott 

The time will come 
when, with elation 
you will greet yourself arriving 
at your own door, in your own mirror 
and each will smile at the other's welcome, 

and say, sit here. Eat. 
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart 
to itself, to the stranger who has loved you 

all your life, whom you ignored 
for another, who knows you by heart. 
Take down the love letters from the bookshelf, 

the photographs, the desperate notes, 
peel your own image from the mirror. 
Sit. Feast on your life. 

The Pig BY ROALD DAHL - Poem Line by Line Explanation and Summary in Hindi

The Pig

BY ROALD DAHL

In England once there lived a big

And wonderfully clever pig.

To everybody it was plain

That Piggy had a massive brain.

He worked out sums inside his head,

There was no book he hadn’t read,

He knew what made an airplane fly,

He knew how engines worked and why.

He knew all this, but in the end

One question drove him round the bend:

He simply couldn’t puzzle out

What LIFE was really all about.

What was the reason for his birth?

Why was he placed upon this earth?

His giant brain went round and round.

Alas, no answer could be found,

Till suddenly one wondrous night,

All in a flash, he saw the light.

He jumped up like a ballet dancer

And yelled, “By gum, I’ve got the answer!”

“They want my bacon slice by slice

“To sell at a tremendous price!

“They want my tender juicy chops

“To put in all the butchers’ shops!

“They want my pork to make a roast

“And that’s the part’ll cost the most!

“They want my sausages in strings!

“They even want my chitterlings!

“The butcher’s shop! The carving knife!

“That is the reason for my life!”

Such thoughts as these are not designed

To give a pig great peace of mind.

Next morning, in comes Farmer Bland,

A pail of pigswill in his hand,

And Piggy with a mighty roar,

Bashes the farmer to the floor . . .

Now comes the rather grizzly bit

So let’s not make too much of it,

Except that you must understand

That Piggy did eat Farmer Bland,

He ate him up from head to toe,

Chewing the pieces nice and slow.

It took an hour to reach the feet,

Because there was so much to eat,

And when he’d finished, Pig, of course,

Felt absolutely no remorse.

Slowly he scratched his brainy head

And with a little smile, he said,

“I had a fairly powerful hunch

“That he might have me for his lunch.

“And so, because I feared the worst,

“I thought I’d better eat him first.”

All the world’s a stage BY WILLIAM SHAKESPEARE - Poem Line By Line Explanation and Summary in Hindi

Speech: “All the world’s a stage”

BY WILLIAM SHAKESPEARE

                                        All the world’s a stage,

And all the men and women merely players;

They have their exits and their entrances;

And one man in his time plays many parts,

His acts being seven ages. At first the infant,

Mewling and puking in the nurse’s arms;

And then the whining school-boy, with his satchel

And shining morning face, creeping like snail

Unwillingly to school. And then the lover,

Sighing like furnace, with a woeful ballad

Made to his mistress’ eyebrow. Then a soldier,

Full of strange oaths, and bearded like the pard,

Jealous in honour, sudden and quick in quarrel,

Seeking the bubble reputation

Even in the cannon’s mouth. And then the justice,

In fair round belly with good capon lin’d,

With eyes severe and beard of formal cut,

Full of wise saws and modern instances;

And so he plays his part. The sixth age shifts

Into the lean and slipper’d pantaloon,

With spectacles on nose and pouch on side;

His youthful hose, well sav’d, a world too wide

For his shrunk shank; and his big manly voice,

Turning again toward childish treble, pipes

And whistles in his sound. Last scene of all,

That ends this strange eventful history,

Is second childishness and mere oblivion;

Sans teeth, sans eyes, sans taste, sans everything.